Biography
“The world of brass bands owes Paul Hindmarsh a great debt of gratitude. Without him, the story of the last 30 years would have to be retold. He has achieved this with a single-minded dedication, enthusiasm, and patience. He has commissioned many composers to write for the medium, many of whom were new to the genre. Through the BBC in Manchester and at the RNCM until retiring in 2023, Paul developed the City’s annual Brass Band Festival into the most ground-breaking annual festival of its kind in the world.”
Edward Gregson
“As an editor and author, Paul Hindmarsh has become a valued critic of important recent repertoire for brass band, and it will be his writings that we will be judged by subsequent generations. In particular, he has been tireless in his advocacy for the music of Wilfred Heaton, and without his work, many of that fine but elusive composer’s less well-known scores would now be lost to the world.”
Philip Wilby
For as long as I can remember, the experience of music has been an essential ingredient of my life. I am a dedicated musician with a wide range of tastes and enthusiasms, from medieval troubadour songs and plainsong, through the great classics of the 18th and 19th centuries of composers and performers in many genres. The essence of my musical upbringing in the Salvation Army (in Cambridge and then Croydon) and subsequent training, at the Royal College of Music (Trombone) and Birmingham University, was range and versatility. For five decades, I have pursued parallel ‘careers’ in music – being a professional performer and then radio and CD producer have context to a a steady flow of research, writing and editing..
Singing
Paul Hindmarsh and Fiona Milne recording for Chandos in 1983
Between 1976 and 1985, following a period of full-time postgraduate research, I combined the post of Librarian, Scottish Music Archive (now Scottish Music Centre) in Glasgow with professional singing, specialising in the tenor concert repertoire. Having been interested in the voice since childhood, I studied privately in Glasgow with the eminent teacher, Joan Alexander. I became a member of Scotland’s only professional chamber choir of that period, The John Currie Singers, and was the tenor soloist of The Scottish Early Music Consort. From 1985, in Manchester, I joined The BBC Northern Singers. With these ensembles I performed a wide range of choral repertoire from Renaissance polyphony to new commissions, appearing in subscription series, broadcasts, festival concerts (BBC Proms, Edinburgh Festival, Boston Early Music Festival, New York, Jerusalem Festival), tours and recordings.
As a concert soloist, I performed with choral societies throughout the British Isles, and was most in demand for baroque and classical oratorio – in particular the sacred works of Handel and Monteverdi and the roles of Evangelist in the great Bach Passions. This busy area of music performance was cut short late in 1989 following head injuries caused by a cycling accident.
BBC Music Production
In 1985, I joined the BBC in Manchester as a music producer for Radio 3 and in a 21 year broadcasting career across the full range of the station’s output, with an emphasis on British, orchestral, choral, chamber and band music. I established the BBC Festival of Brass (now RNCM Brass Band Festival) in 1990 and received several Sony Award nominations, including the feature Elgar’s final Enigma – Symphony No. 3 , which led to the completion of Anthony Payne’s historic realisation of this unfinished work, and a bronze award for a drive-time ‘special’, Who Murdered Mozart? During my time at Radio 3, I also encouraged the commissioning of new music for brass band, including Paganini Variations (Philip Wilby), Songs for BL (Elgar Howarth), Whitsun Wakes (Michael Ball), Prague (Judith Bingham) and The Maunsell Forts (John McCabe). I had a great time producing the Sunday evening series Choirworks (now called The Choir ) and the Saturday afternoon series Discovering Music.
Dimpho de Kopane recording for BBC Radio 3 in South Africa, 2005
Working with choirs and bands from the North of England – Hallé Orchestra, BBC Philharmonic, Royal Northern Sinfonia, Royal Liverpool Philharmonic, Orchestra of Opera North, Black Dyke, Grimethorpe and Foden’s brass bands (among others) – brought me into contact with some of the world’s greatest soloists and conductors. No wonder I enjoyed my job so much!
Working with bands
In 1990, I was invited to become the Musical Director of the famous Besses’ Barn Band. This appointment re-kindled my involvement in the amateur musical communities of the UK. For three years I directed Besses in a range of broadcasts for BBC Radio 2 and 3, its busy concert schedule including festival appearances at Lichfield, Chester, Newbury and Harrogate, and in contests (including the ‘Open’ and ‘National’ championships). From time to time, I work as a guest conductor or coach with North West bands. I am pleased and proud to have commissioned over 30 works for brass band through the BBC, the Brass Trust Heritage Trust, which I founded in 1996, and The John Golland Trust. The trusts has supported new commissions by John Pickard (Eden in 2005 and Rain, Steam and Speed in 2017), Lucy Pankhurst, Simon Dobson, Gavin Higgins, Kenneth Hesketh, Daniel Hall among others. In 2005, I was both surprised and honoured to receive the Iles Medal of the Worshipful Company of Musicians for Services to the brass band community.
I left the BBC in 2006 to set up my own production company specialising in music journalism, CD production and music editing and in 2012 I started to publish my work. I was privileged to have been Artistic Director of the RNCM Brass Band Festival between 2005 and 2023. For 10 years (2007-17) I served as Director of Concerts for the Manchester Mid-day Concerts Society at Bridgewater Hall, Manchester, and was privileged to curate the Society’s centenary season in 2015. Between 2016 and 2022 I served as the chair of the European Brass Band Association Music Commission, which overseas the musical aspects of the annual European Brass Band Championships.
In 2006 I was invited to become Editor of Brass Band World, a monthly magazine for the brass band community. Between 2010 and 2018, I was features editor of The British Bandsman, writing regular features, reviews and reports for this long established magazine, which celebrated 125 years in 2012. I am a regular contributor of programme notes for major recording companies, including Chandos, Hyperion and the World of Brass labels. As consultant editor for Faber Music’s Brass and Wind Band Series (2008-18), I enjoyed developing brass and wind repertoire. I was honoured to receive the 2024 BUMA International Award (Netherlands) for this aspect of my work – at the RNCM and with EBBA in particular. The RNCM also awarded me an Honorary Fellowship in 2023.
Writing and research
Since the mid-1970s, historical and analytical research has provided an additional dimension to my musical life. British music of the past 150 years has been my special field of interest. My Thematic Catalogue of the music of Frank Bridge (1879 – 1941) became the standard reference work on this composer. It was substantially updated and revised in 2016 as Frank Bridge: The Complete Works.
A number of articles and CD notes on Bridge ‘s music have followed, including the acclaimed orchestral music series from Chandos, for which I was also the music editor and programme consultant. Along side this, I have prepared many hitherto unpublished works by Bridge for publication, and also works by his pupil Benjamin Britten for the concert hall, including Johnson about Jordan and King Arthur (Suites for both orchestra and brass bands).
In January 2025, my biography of the composer Wilfred Heaton (1918 – 2000) was published and my role publisher of The Wilfred Heaton Edition came to an end with the transfer of the sales and distribution of all the completed titles to the leading British publisher Studio Music.
Trusts and Committees
I have been privileged to serve on a number of musical committees. Whilst living in Scotland, I served on the Scottish Music Council and the BBC Scotland Music Advisory committees. I was a member of the Executive Committee of the British Federation of Bands for three years, a Trustee of the National Youth Brass Band of Great Britain and the Wilfred Heaton Trust. I am currently a trustee of the John Golland, Thomas Pitfield and the Ida Carroll trusts in addition to the Brass Band Heritage Trust.
Publications Archive
Arrangements, editions and realisations
Granville Bantock: King Lear, Overture for brass band. Revised performing edition (PHM)
Richard Rodney Bennett: Flowers of the Forest for brass band. Revised scoring (Novello / Studio)
Arthur Bliss: Greetings to a City, adapted for brass band (PHM)
Frank Bridge for Thames Publishing / Elkin (now Wise Music )
16 editions of previously unpublished piano, chamber music and songs, including Violin Sonata in E flat with completion of unfinished second movement. and Four Pieces for String Orchestra (including Valse Intermezzo and Scherzo Phantastick)
Frank Bridge for Faber Music Ltd.
Five Entr’actes ( The Two Hunchbacks ) Suite for orchestra
Isabella (Symphonic Poem)
The Pageant of London (Suite for Concert Band)
Midnight (Symphonic Poem)
Oration (Cello Concerto)
Coronation March (1911) – in progress
Frank Bridge for Stainer & Bell
The Christmas Rose (Suite for symphony orchestra arranged from the one act opera (1919/29) – in progress
Frank Bridge for PHM
Lament (1915) for strings, arranged for brass band
March: Henry VII (1910) for massed military band, arranged for brass band
Benjamin Britten:
American Overture, arranged for brass band (PHM)
Fanfare for DW , adapted for brass band (MS)
Johnson over Jordan, Suite for orchestra (Faber Music)
King Arthur Suite for Orchestra (1937) (Wise Music)
King Arthur (Scenes from a radio drama) arr. for brass band (Wise Music / Faber Music)
Occasional Overture arr. for brass band (Faber Music)
Prelude and Courtly Dances (Gloriana) – arr. for brass band (B&H/Stusio Music)
Alan Bush: Prologue for a Worker’s Meeting, Op. 10
Frederick Delius: Two Aquarelles, arranged for brass band (PHM )
Diversions after Benjamin Britten for brass band by Pankhurst, Dobson, McGhee, Higgins – complete suite only.(PHM )
Percy E. Fletcher: Grand March for brass band (PHM)
John Golland
Bellna, performing edition with abridged first movement (Kirklees Music)
Fives and Threes for brass band (EMI/ Studio)
Tuba Concerto, arranged for tuba and brass band (Studio)
Hummel – Trumpet Concerto, arr. Golland / rev. edition (PHM)
Graubunden March Op. 66 no. 1
Wilfred Heaton
Items published by Studio Music except where marked.
Annie Laurie , Variations for cornet and brass band
Babe born this day, arranged for unaccompanied SATB choir
Balulalow, arranged for unaccompanied SATB choir
Beulah Land ( Suite), realised from sketches (SP & S, Judd Street Collection)
The Children’s Friend, variations for brass band
Contest Music, Sinfonietta for orchestra (orch. Hindmarsh) B&H/Studio
Contest Music, Sinfonietta for wind orchestra (arr. Hindmarsh) B&H/Studio)
Eternal Decision for unaccompanied SATB choir
Four Vignettes for clarinet/flugel and piano (compiled and arranged)
arr. for clarinet and strings
arr. for flugel and brass band
Five Bagatelles for brass quintet, revised performing edition
Five Little Pieces for brass band realised from sketches
French (Chorale Prelude) SP & S (General Series)
Full Salvation (Concert March), realised from sketches
Glory! Glory! (Concert March) for brass band
The Golden Pen (March-Fantasy) for brass band, edited from draft ms
Lento, arranged for brass band
arranged for string orchestra
Le Tricot Rouge (Concert March)
Little Suite for recorder (or flute) and piano
arranged for cornet / trumpet and piano
arranged for flute or recorder and strings
arranged for trumpet or cornet and brass band
Meditation on Aberystwyth
Music for brass Sextet (Toccata)
Partita for Band
Piano Sonata
Pilgrim’s Song, Suite or incidental music to The Pilgrim’s Progress , arranged for narrator and brass band
Pilgrim’s Song Variations, arranged for brass band
Pilgrim Reflections, arranged for piano solo
Rhapsody for Oboe and String Orchestra Op. 1
Safe in the Promised Land for male voices, brass and piano
arr. SATB, brass and piano
arr. for brass band
Scherzo for brass quartet
arranged for brass band
A Shepherd’s Carol, adapted from incidental music for SATB choir
Sinfonia Concertante for cornet and band
Sinfonia Concertante for trumpet and orchestra (orch. Hindmarsh)
Suite for orchestra (1950)
Sweet Hour or Prayer, arranged by WH for trombone and piano
arranged PH for trombone and brass band
Three Hymns from Pilgrim’s Song for unaccompanied SATB choir
Three Piano Pieces Op.2 (1954)
Three West Indian Melodies for piano duet
Trombone Concerto with brass band
arranged for trombone and string orchestra
Variations for brass band (realised by Howard Snell)
Variations for orchestra (orchestrated by Paul Hindmarsh)
Kenneth Hesketh for Faber Music Ltd.
The Alchymist’s Journal, for brass band
Elegy, for brass band
Nigel Hess for Faber Music Ltd.
March Barnes Wallis arr. for brass band
Gustav Holst: Mr. Shilkret’s Maggot, Jazz Band Piece arranged for brass band (PHM)
Scherzo, arranged for brass band (MS)
Imogen Holst: The Unfortunate Traveller, for brass band. Revised performing edition (PHM)
The Unfortunate Traveller, arr. for string orchestra by the composer (orchestration completed by Hindmarsh)
James MacMillan: The Gallant Weaver arr. for brass band (Studio)
Alan Rawsthorne: Suite, revised scoring, commissioned by Novello (Studio)
Richard Strauss: Solemn Procession, adapted for brass band (PHM Publishing)
Variations on a Theme of Michael Tippett for brass band by Tovey, Gregson , M.Ball, Howarth, Wilby (PHM )
Ralph Vaughan Williams
Rhosymedre (Prelude) arr. for brass band (Stainer and Bell)
The Truth from Above, arr. for brass band (Stainer and Bell)
Two Herefordshire Carols, adapted for brass band (PHM)
William Walton
A Wartime Sketchbook (five extracts from wartime film scores, Oxford University Press) PHM
Music for Children (from Eight Duets for Children, Oxford University Press, MS)
Galop-Finale (Music for Children ) MS
Books
A Companion to Scottish Culture, ed. David Daiches – contributor of a articles on Scottish composers. (Edward Arnold, 1981)
Frank Bridge – A Thematic Catalogue (Faber Music Ltd., 1983)
Frank Bridge – The Complete Works (PHM Publishing, 2016)
The British Brass Band, ed. Trevor Herbert – contributor of chapter on the 20th century entitled Building a Repertoire (Oxford University Press, 2000) George
Landscapes of the Mind , George Odam, contributor to the wind and brass music of John McCabe (Ashgate, 2007)
Music in Mufty, chapter in History, Harmony and Humanity, the music of Ray Steadman-Allen (SP & S, 2015)
Wilfred Heaton: His Life – His Music, (PHM Publishing, 2025 – distributed by World of Brass/ Studio Music)
Research articles
Eric Ball – A Centenary Appreciation (British Bandsman, February 2003)
Frank Bridge – A Centenary Survey (Music Teacher, July and August 1979)
Frank Bridge – Seeds of Discontent (The Musical Times, January 1991)
Frank Bridge (New Dictionary of National Biography, OUP)
Frank Bridge work list for the New Grove Dictionary of Music and Musicians
Wilfred Heaton – an Appreciation (British Bandsman, May 2000)
Wilfred Heaton (New Dictionary of National Biography, Oxford)
Wilfred Heaton – The Story of Contest Music (Brass Band World, 2007)
Philip Wilby (The New Grove Dictionary of Music and Musicians, Macmillan)
Wilfred Heaton – Variations on a Life (British Bandsman, April 2018)